I think the Scene is very exciting at the moment as there are lots of new labels and producers who have bought their own styles and sounds and helped to push the sound in all different directions. Printworks are proud to be a space for that community. The scene is thriving – whether it be OG crews such as Hospital Records, or newer standouts like Worried About Henry, the pool of talent is plain to see. ![]() ![]() Olly Gunns – Music Booker at PRINTWORKSīass music has been a key part of Printworks’ programming over the past seven years. If you see me crying in the booth, no you didn’t. It will be sad to see it go but that’s even more of a reason to make it a night to remember. Large venues that support underground dance music are few and far between – places like Printworks are so important for dance music and its culture. ![]() Living in London, myself and so many others have had so many amazing memories attached to the place. This printworks show will be bittersweet playing there for the last time. We have a quick chat with some of the artists who have played at these instantly historic shows as part of the closing season to hear their thoughts on the closure of Printworks London and why they think the drum and bass scene is so strong right now. and the closing season continued to show its deep connection to the scene, kicking off with a monstrous line-up for the mighty Let It Roll back in February, the jam-packed list of d&b shows carried on with a double helping of DNB ALLSTARS, Worried About Henry and Hospitality. Over the years Printworks London has supported the drum and bass scene immeasurably- in fact the second-ever event to be held at the iconic venue was one of our very own UKF shows. ![]() It’s bucket list business for everyone involved. A night at Printworks is something that artists, labels and promoters achieve with a huge and well-deserved sense of pride. While the club has become predominantly known for booking the very best brands in electronic music, the venue programming has seen a tremendous variety of talent- from up-and-coming experimental acts to live and visual artists. Since its first party in 2017, the brutalist industrial space has become one of the capital’s best-loved music venues. This summer Printworks London will close its doors for the last time.
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